I'll Take Summer is the cabaret cure for seasonal doldrums...or summer songs for the winter blues. Opening vibrantly with Sly Stone’s “Hot Fun in the Summertime” we move from 70s soul to classic standards by composers like Dave Brubeck, Irving Berlin and Cy Coleman, as well as contemporary artists Christopher Cross, Stevie Wonder and Chicago. The set is a meditation on the fairer season with a sunny disposition on summer love, summer in the city, summer nights, even Sonnet 18 bemoaning, “summer’s lease hath all too short a date.” February 2007 at Don’t Tell Mama. Featuring Ryan Greer, Brad Landers and Bianca Saltaformaggio; Musical Direction and Piano Stephanie Wells; Drums Christopher Heinz; Directed by Joanna Greer. |
Sleeping Giant, theatrically explores the sleepy dreamscape of the night, combining a series of dances and the surreal poetry of Andre Breton, Robert Desnos, Frida Kahlo and Joyce Mansour. Based on Jungian archetypes, the characters of Sleeping Giant personify the comatose commonalities in our collective unconscious – being chased but unable to move, caught in the spotlight unrehearsed, our deepest fantasies and most terrifying nightmares shared in the experience we call dreaming. "In the night you are there" (Robert Desnos). September 2006 at the TADA! Theater. Featuring Meghan Burns, Caren Chianese, Brooke Robyn Dairman, Brad Landers, Bianca Saltaformaggio, Ashley Walker and Nikki Wilson. |
Old Hat, Kinetic Dance Theater’s
premiere nightclub act and Cofounder Ryan Greer’s cabaret debut,
is an admiring throwback to classic variety. With Ryan's jazz-tinged
vocals, the nostalgic set showcases a criterion of composers from Arlen to
Ellington. Dusting off the vintage routine, the act shares a reverence for
yesterday while questioning today’s standard – so it’s not quite the same
old song and dance. After opening Upstairs at Rose's Turn, the act was
featured on Ken Kleiber's popular TV variety show That's
Kentertainment, and Stu Hamstra of Cabaret Hotline Online
raved, “Mr. Greer brings to the cabaret stage a style and flair...a
delightful display of vocal and dance talent and grace.” April
2006 at Upstairs at Rose’s Turn. Featuring Ryan Greer; Musical Direction
by Rachel Kaufman; Directed by Joanna Greer.
|
The Cyclone is a
dance concept piece comparing the struggles of the
human condition to eerie circus acts. “Step right up!” barks the Ring
Master, “Prepare yourselves for a wickedly entertaining spectacle!” Under
an ominous sideshow guise inspired by the gritty yet wildly charismatic Coney Island, the show brings certain
societal trappings to the fore in order to spotlight their peculiarities.
In 3 rings, Trained Animals, Clowns and Freaks and Juggling and Balance,
an iniquitous array of characters offers mischievous circus performances,
vignettes on the maelstrom of existence. The corporate jungle,
the carnivorous singles scene, the destitute hobo clowns, mental
monstrosities, commercial hypnotism and an aerialist balancing on the
wire are all part of the ride – this roller coaster called life. November
2005 at the TADA! Theater. Featuring Tory Schaefer and Meghan Burns with
Rebecca Mae Palmer, Tiffany J. Midgett, Bianca Saltaformaggio and Ashley
Walker |
Here's To The 3rd New
York is a one-act musical featuring an original book by Joanna & Ryan Greer and music arrangement by Stephanie Wells of legendary standards played with a modern funk hook. Titled from the varying parts of the city according to E. B. White, who called the third
New York
the greatest – the city of final destination, the city that is a goal – the piece advocates the dream chaser while taking a rebellious stance on the current state of the art. Especially concerned with the demise of American Musical Theater, it is a protest against corporate commercialism, conservative politics and the silencing of a generation. The show opens with a spoken-word manifesto and rousing rhythm tap to decree impending revolution, which eventually unfolds into a feverish rendition of Gershwin’s Oh, Lady Be Good sung soulfully to the city where success urgently calls. Then, in a hip downtown bar, the third New Yorker is further revealed through conversations of hope, frustration and the challenges faced today. “The audience is taken through an entertaining and realistic ride through a day in the life of struggling artists trying to get by in
New York
City. Here’s to an inspirational story of
survival, in the struggle to keep alive the creative spirit.” (Diedre
Kilgore, NewYorkCool.com).
September-October 2004 at The TADA! Theater. Featuring Elissa Goldstein and Jamal Green with
Michael Ashford, Daniela Galli, Ryan Greer and James
Robinson. |
Move to Exit is a vaudeville dance theater
piece, a Brechtian deconstruction of the dying process
incorporating the 5 infamous stages from the Kubler-Ross study - denial,
anger, bargaining, depression and acceptance - presented episodically as a
theatrical event. The show, in raw musical-theater style, follows one
man to “the culmination of that long prelude called life.” Seduced
by the deathly personification of sleek, femme-fatale dancers lead by an
enigmatic Host, his own hallucinatory fantasies, this Everyman finds
himself suddenly in the spotlight to stage his final moments. Through
a series of fantastical dance numbers, the Host directs his performance of
a lifetime to a spectacular close. Move to Exit attempts to provoke
awareness and reflection on the one true commonality for all existence –
death.
November 2003 at
the Kraine Theater. Featuring Daniela Galli and Aaron Burcham Heisler with
Jeanell Kelly Birk and Meghan Burns. |